Jan had a special relationship with Wollumbin/Mount Warning which dominates the Northern Rivers landscape of NSW, the country in which Jan was born and spent most of her life. Her connection to the mountain was profound. In feisty middle age Jan drew herself as the mountain. Mountain as naked woman. Her sketch and accompanying haiku appeared in the first (summer 1994) edition of paper wasp of which Jan was a foundation member and editor.
Late in life, when Jan moved from her beloved Dungay farm, she chose her last home with care. She could not, she explained, live anywhere where she could not see ‘her’ mountain. As with the first people of this land, Jan believed that the mountain was not only her totem, it was her strength and source of energy. I never look at Wollumbin without thinking of Jan.
above the dark earth
Wollumbin’s dawn light