“Prospect” is an annual poetry journal, with longer poems written by Australians and published in Australia by Blue Giraffe Press, owned and managed by Peter Macrow. “Prospect Five” is devoted to haiku and tanka, with Beverley George as guest editor. Beverley was president of Haiku Oz, the Australian Haiku Society. She edits and publishes “Eucalypt,” a tanka publication, conducts workshops, and writes essays and children’s books. Her tanka and haiku have earned awards, and some have been translated into Japanese. The cover image and design are by Ron C. Moss, and Rebus Press had charge of layout.
The journal as a whole is unmistakably and delightfully Australian. While some of the vocabulary is special to that country, the themes and emotions are universal. With a few exceptions, I was able to understand and appreciate the poems without resorting to a dictionary, though I did look up some words for their precise meaning and enjoyed this verbal visit to a country and continent so far away.
Haiku, usually three-line poems, are here arranged four to a page, while tanka, which have five lines, are three to a page. They are divided, ten pages of haiku, twelve of tanka, and twelve haiku, with the final two pages given to Blue Giraffe Press 2nd Australian Haiku Competition’s three winners and three commended haiku
Continue reading “Review of “Prospect Five” – Dorothy McLaughlin”
Kokako is New Zealand’s only journal dedicated to haiku and other related forms – it is published twice a year.
Submissions will open for its April edition 2016 on November 1, 2015: deadline – February 1, 2016.
Contributors are welcome to offer haiku, senryu, tanka, renga, haibun and reviews – preferably by email – with only one submission per contributor per issue, comprising no more than 8 poems/ pieces.
Submissions should be inserted into the body of an email (not added as an attachment) and sent to editors Patricia Prime and Margaret Beverland at:
Continue reading “Kokako submissions open November 1, 2015 – deadline February 1, 2016”
The Akita International Haiku Network has announced the results of its 4th Japan – Russia Haiku Contest, where poets were invited to write haiku on the theme of lakes.
From a range of international contributors, Australian haiku poets Marietta McGregor and Simon Hanson were first- and second-listed among a set of 10 entrants to receive Honourable Mentions:
a family of teals
breaches the lake ice
– Marietta McGregor
crossing the lake
the shadows of pines
– Simon Hanson
Ginko No. 39 (spring)
Botanic Gardens Lismore NSW
Date: Thursday 22 October 2015
Cloudcatchers gathered at the Lismore Rainforest Botanic Gardens, which were established on wasteland on the fringe of the city in the late 1990s. Since then a lush rainforest has re-emerged, nurtured by volunteers, growing only native plants endemic to the region. Right next to this is an area featuring eucalypts, where the sharp-eyed may spy a koala or two; and nearby is a 30-year-old stand of hoop pine.
Continue reading “Cloudcatcher ginko #39”
Australian haiku poets Beverley George and Simon Hanson have been announced as successful entrants in the haiku competition that will be incorporated into the 11th Pumpkin Festival, to be held in Ivanić-Grad, Croatia, over October 18-19, 2015.
The competition – in English – had the theme of haiku about pumpkins.
Beverley George was one of four international entrants to share joint third prize, with the following haiku:
each week she orders one −
just to say their name
Continue reading “Results from the 11th Pumpkin Festival haiku contest, Croatia, 2015”
On Saturday 3 October 2015, a beautiful sunshiny day, although a little warmer than expected, seven members of Bindii group left the Box Factory at noon to take the brief walk through back streets to Himeji Gardens.
Lee Bentley, the group leader for the ginko, advised members to scatter through the garden and meet at the entrance half an hour later. The temperature was noticeably cooler in the gardens, with the water and greenery no doubt helping to keep the temperature down. Members strolled, taking notes and photos, or perched on rocks or seats to take in the peace and quiet. Even though other visitors were there, people seemed to appreciate that this was a place for quiet contemplation.
We then returned to the Box Factory for lunch and a workshop of the many haiku that had been written on the ginko.