The discipline of haiku guides me to appreciate the ‘now’ of my day. How wonderful it is to jot down images and tiny events that show the extraordinary in the ordinary.
My haiku are not made up of seventeen syllables but usually far fewer. However, I try to keep to the short/long/short format unless I feel the haiku should be a one-liner. I have also written a few two-liners when that is the way they fell.
Though I often use the visual sense in my haiku I also try to catch the other senses of sound, taste, smell and touch. The seasons are used to good effect in most haiku and I too follow this course. I find now I’m older many of my haiku use the autumn season to express thoughts and moments.
The core of the haiku is that light touch and simplicity which shines on the spirit of the poem…that certain something that is almost impossible to explain…maybe wabi sabi.
My favourite haiku is the text of a sensitive haiga by Ron Moss. I admire its lightness and achingly beautiful simplicity: Continue reading “My Writing Practice: Dawn Bruce”