This book is a delight, square in shape and persimmon-coloured, it is beautifully produced with deep green flyleaf covers and plenty of space around the text giving the haiku the room it deserves. The artwork of persimmons on the front cover by Eiko Mori and Richard Steiner’s artwork on the back is appealing and gives the reader the impression that a great deal of thought has gone into this book’s creation. Continue reading “Persimmon”
On Saturday, 12th May 2018, a large number of poets and other interested people retreated from the congestion of Saturday morning traffic to the quiet upstairs room at the Beecroft Children’s Bookshop. They were gathered to celebrate the launch of Beverley George’s latest book Only in Silence and also the #24 edition of Eucalypt: A Tanka Journal, editor Julie Thorndyke. Continue reading “Launch of Only in Silence and Eucalypt 24”
Associate editor of The Heron’s Nest, Scott Mason, has released a new book entitled The Wonder Code: Discover the Way of Haiku and See the World with New Eyes. John Stevenson, the managing editor of The Heron’s Nest writes, “The Wonder Code is both a book about haiku and a book of haiku. It contains five linked essay chapters by Scott (plus an Introduction and Afterword) as well as five extensive ‘galleries’ of haiku poems, each related to the theme of its preceding chapter. Altogether the volume features more than 450 standout haiku, all of which first appeared in The Heron’s Nest in the last two decades. And for those who have come to appreciate Scott’s own work, the book includes a separate, generous selection of his haiku.” Continue reading “The Wonder Code by Scott Mason”
A new international anthology of haiku & senryu has just been released. Jumble Box, edited by Michael Dylan Welch and featuring the art of Ron C. Moss contains work from 100 poets. This anthology grew out of the many submissions to the National Haiku Writing Month (NaHaiWriMo) received in February 2017 including selections from seven Australians; Belinda Broughton, Samar Ghose, Jayashree Maniyil, Marietta McGregor, Rowena McGregor, Ron C. Moss and Rosemary Nissen-Wade.
In the introduction, Opening the Jumble Box, Michael Dylan Welch writes; “One of my favorite quotations about haiku is by R. H. Blyth: “Haiku is a hand beckoning, a door half-opened, a mirror wiped clean. It is a way of returning to nature, to our moon nature, our cherry blossom nature, our falling leaf nature, in short, to our Buddha nature.” This observation reminds us that haiku points to a source. . . The following poems emerged as some of the best from many thousands written for NaHaiWriMo in 2017. I shared a short list of about 400 selections with Tasmanian artist Ron C. Moss, who chose one poem for each day of the month. In response, he created twenty-eight original haiga—a painting for each poem he selected, with the poem added in calligraphy. He also created the cover art, and suggested the book’s title, from a poem by Greg Longenecker. Surely the many ways we write haiku are like a jumble box—and as with a box of chocolates, you never know what you’ll discover.”
For further information and ordering details click here.
The Australian Haiku Society is pleased to add to its list of resources, links to digitised works by Australian haiku poets. The AHS thanks those authors and the sites where the files of these books, articles and essays are stored, particularly The Haiku Foundation https://www.thehaikufoundation.org for their efforts in preserving these resources and making them freely available.
Additional material is available on https://australianhaikusociety.org/ under our categories of: Haiku Musings, Haiku History in Australia and Haiku Books and Resources.
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A beautiful new guide to writing haiku is now available for free download from the Sydney School of Arts & Humanities.
Written by the Australian haiku writer Quendryth Young, A Haiku Workshop is a comprehensive collection of succinct guidelines to writing English-language haiku – backed up with examples from Quendryth’s own extensive and award-winning body of work.
Quendryth has agreed to share her guidelines in e-brochure form to “spread the message, spread the joy, spread the elation . . . of living with senses wide open to the environment, in order to capture significant moments of observation with concision and resonance”.
To download click here
A new collection of Australian themed rengay by Simon Hanson & Ron C. Moss has been launched and published by Caroline Skanne and is now available for free download at wildflower poetry press and at hedgerow: a journal of small poems. Ancient Bloodlines is accompanied by the evocative watercolours of Ron C. Moss and features a particularly innovative style of text formatting he has developed. With “delicate touches of humour and delight, with tones that range from serious and sombre to playful and respectful. Enjoy the paths they have made for you in Ancient Bloodlines, but also lose yourself in these vivid verses so you can find your own” (from the foreword by Michael Dylan Welch).
On the 24th March, in the beautiful surrounds of the Allport Library in Hobart, I had the honour of launching Ron Moss’s recent book, Bushfire Moon, with the following words:
I first met Ron about seventeen years ago when his friend Ross Coward brought him along to a meeting of the then recently formed haiku group, Watersmeet. I remember sitting around the long table in the Salamanca Arts Centre meeting room. We had each brought along an object from nature as a prompt for writing, and when it came to sharing our jottings I was struck by the detailed observation and insight in the pieces Ron read out. I can still see the trail of tiny black ants Continue reading “Launch of Bushfire Moon”