The Autumn 2016 edition of ‘paper wasp: a journal of haiku’, featuring more than 40 poets, is now available for $8 within Australia and $US9 overseas (posting & handling included).
‘paper wasp’ will cease publication as a quarterly print journal in June.
‘paper wasp’ will re-emerge in a new form online and produce occasional haiku anthologies in hard copy.
The last Winter issue is intended as a collector’s edition.
In keeping with the beginnings of ‘paper wasp’ more than 20 years ago, it will publish haiku only.
Submissions are restricted to a maximum of six haiku.
The deadline is 1 May.
The Winter edition will be sent free of charge to existing subscribers.
It will be available for $A10 within Australia and $US10 overseas, postage and handling included.
Continue reading “Changes at Paper Wasp”
I’m very happy to be able to announce that the nine complete issues 1.1 through to 3.1 of the quarterly journal, ‘Notes from the Gean’, for which I was haiku editor, have been recovered and are now archived on Don Baird’s website, ‘The Living Anthology’.
The work published in the first issue, ‘Notes from the Gean’1.1, June 2009, includes haiku by these Australians:
Lynette Arden, John Bird, Neil Bramson, Dawn Bruce, Nathalie Buckland, Ashley Capes, Beverley George, Gina, Matt Hetherington, Michelle Leber, Jo McInerney, Mark Miller, Graham Nunn, Rhonda Poholke, Jack Prewitt, Harry Rout, Barbara A. Taylor, Rodney Williams and Quendryth Young.
More can be found in the further issues of ‘Notes from the Gean’ archived on ‘The Living Anthology’ website.
– Lorin Ford, haiku editor & etc., ‘A Hundred Gourds’
The deadline for the next edition of paper wasp is 1 February 2016.
Please note that the address for submissions has changed. It is now:
If you have already sent a submission to another address please resend it to the email address above.
Likewise all enquiries, including any regarding snail mail, should be referred to Jacqui Murray.
With thanks and warm regards
Founder: Paper Wasp
Founding Editor: paper wasp: a journal of haiku
Edited by Beverley George (Blue Giraffe Press, 2016).
In Australia: $A15 for one issue a year for 2 years, postage included; elsewhere: $A25, postage included.
Review by Elaine Riddell.
There will be many looking forward to this fourth annual issue of ‘Windfall’. The first time I was shown a copy of ‘Windfall’, my response was delight. Issue 4 is a worthy successor to the previous three issues. Like its predecessors, Issue 4 has the lovely, understated Ron C. Moss cover design and a simplicity of layout. Despite being small (A6), it uses a good sized font and gives each haiku breathing space on the page. The translucent papers, which separate the cover from the body of the work, seem to say, ‘This is a treasure. Hold it with care.’
Continue reading “‘Windfall’, Australian Haiku, Issue 4, 2016 – review by Elaine Riddell”
‘Windfall: Australian Haiku’ Issue 4 2016 has now been mailed to all subscribers.
The issue features the work of 56 Australian poets and is published by Peter Macrow’s Blue Giraffe Press, edited by Beverley George, with a cover design by Ron C Moss.
The annual submission window for ‘Windfall’ is July only.
Send up to six haiku relevant to life in Australia to email@example.com
Continue reading “Windfall Issue 4: 2016”
The 17th issue of ‘A Hundred Gourds’, a quarterly journal of haiku, haibun, haiga, tanka and renku poetry, is now online for your reading pleasure.
Renku News – Guest Editor for AHG 5.2, Kala Ramesh
Due to unforeseen circumstances, William Sorlien is not available to receive renku submissions for AHG 5.2, the March 2016 issue. Kala Ramesh has kindly agreed to be our Guest Renku Editor for the forthcoming March issue. Please read the AHG news page for further details and send your renku submissions to this address: firstname.lastname@example.org with ‘Renku Submission’ in the title bar.
Haiga News – New Haiga Editor, Sandi Pray
With this issue we farewell Aubrie Cox and welcome Sandi Pray as our new Haiga Editor. Please read our news page for further details.
Continue reading “A Hundred Gourds 5.1 released”
“Prospect” is an annual poetry journal, with longer poems written by Australians and published in Australia by Blue Giraffe Press, owned and managed by Peter Macrow. “Prospect Five” is devoted to haiku and tanka, with Beverley George as guest editor. Beverley was president of Haiku Oz, the Australian Haiku Society. She edits and publishes “Eucalypt,” a tanka publication, conducts workshops, and writes essays and children’s books. Her tanka and haiku have earned awards, and some have been translated into Japanese. The cover image and design are by Ron C. Moss, and Rebus Press had charge of layout.
The journal as a whole is unmistakably and delightfully Australian. While some of the vocabulary is special to that country, the themes and emotions are universal. With a few exceptions, I was able to understand and appreciate the poems without resorting to a dictionary, though I did look up some words for their precise meaning and enjoyed this verbal visit to a country and continent so far away.
Haiku, usually three-line poems, are here arranged four to a page, while tanka, which have five lines, are three to a page. They are divided, ten pages of haiku, twelve of tanka, and twelve haiku, with the final two pages given to Blue Giraffe Press 2nd Australian Haiku Competition’s three winners and three commended haiku
Continue reading “Review of “Prospect Five” – Dorothy McLaughlin”
Kokako is New Zealand’s only journal dedicated to haiku and other related forms – it is published twice a year.
Submissions will open for its April edition 2016 on November 1, 2015: deadline – February 1, 2016.
Contributors are welcome to offer haiku, senryu, tanka, renga, haibun and reviews – preferably by email – with only one submission per contributor per issue, comprising no more than 8 poems/ pieces.
Submissions should be inserted into the body of an email (not added as an attachment) and sent to editors Patricia Prime and Margaret Beverland at:
Continue reading “Kokako submissions open November 1, 2015 – deadline February 1, 2016”