The paper wasp poets continued to meet during 2006 to greet old friends and new faces at Avid Reader bookshop in Brisbane’s, West End, to workshop and generally encourage each other.
2006 has been a productive year so far for paper wasp and for individual members:
Continue reading “paper wasp September 2006 A report from Ynes Sanz”
The recent Tasmanian Living Writer’s week saw many activities throughout Tasmania and their popularity was very evident to all.
One of these was Haiku Graffiti an event which was the brain child of Irene Mc Guire of Fullers Bookshop in Hobart. Haiku poet’s Lyn Reeves, Ron Moss, Peter Macrow, and Jenny Barnard were invited to write haiku on the large glass windows outside the store and Irene joined in as well. A pre selected list of words was used and different colour pens which ensured a colourful event. People passing by enjoyed the experience and many were seen reading the haiku. Several other people joined in with a haiku of their own. The local Mercury Newspaper featured a photo and event information, the haiku will stay for about a week and it continues to attract interest.
Continue reading “Haiku Graffiti”
Haiku Competition and Haiku Wall Review 2005-06
Maureen Sexton, Chairperson 2006 WA Spring Poetry Festival, Co-Chairperson WA Poets Inc sent HaikuOz the following report
Haiku Competition and Haiku Wall Review 2005-2006
City of Perth Library conducted a Haiku poetry competition which generated interest from around the state with entries ranging from Tom Price to Margaret River. Enquiries were received from people not normally involved with the Library. The amount of interest created by the Spring Poetry Festival organizers was impressive.
Continue reading “August 13, 2006”
Wollumbin Haiku Workshop presents its inaugural collection of previously unpublished haiku by John Bird, Quendryth Young & Nathalie Buckland at:
Graham Nunn 11 June 2006
RSL Hall Alstonville 9.30 am – 4.00 pm
Quendryth Young reports:
The Northern Rivers area of the far north coast of NSW is progressing in leaps and bounds in the haiku way. Recently a Haiku Workshop was conducted at Alstonville NSW, organised by the FAWS (Fellowship of Australian Writers, Summerland). This was made possible by a grant from the Minister of Arts to FAW.NSW Inc.
The workshop was tutored by Graham Nunn, published haiku poet, Convenor of the Brisbane Poetry Festival, Editor of Speedpoets, and currently the secretary of the Australian Haiku Society. It was a full-day workshop, commencing at 9.30 am in the local RSL Hall.
Continue reading “Workshop Report by Quendryth Young”
Haiku Vancouver May 19-22 2006. A report from Pauline Cash
Among the rhodendron gardens in the University of British Columbia, 41 haijun gathered to discuss haiku and tanka.
The event was organised by Alice Frampton and was attended by poets from Japan, US and Canada. Participants from Australia were Amelia Fielden and myself. We were housed in a student hostel on campus.
A highlight of the first day was a ginko (haiku walk) through the Nitobe Gardens where we went our separate ways to contemplate the sensory beauty and symbolism of this walk through life. The cedars, firs, maples and hemlocks, the low rock, the waterfalls, bridges, lanterns and birdlife provided inspiration for many haiku. Later that day poets wrote their haiku for posting on a wall outside for all to enjoy.
Continue reading “Haiku Vancouver May 2006”
At the Word Storm Writers’ Festival in Darwin in 2004 I was privileged to run a workshop with eleven Northern Territory writers. The participants had varying backgrounds in haiku, from those who’d come across it at school to a couple of poets who had read much of the contemporary literature on the form. A few had strong background or interest in Zen Buddhism, which I believe is a valuable asset to accessing the haiku mind.
Continue reading “Top End Haiku – a report by Lyn Reeves”
I recently had the pleasure of attending Wordstorm, the 2006 Northern Territory Writers’ Festival held in Darwin (May 18 – 21) at the Museum and Art Gallery NT. The programme connected almost 60 writers from Indigenous, non-Indigenous and Southeast Asian cultures with a diversity of readers, writers, artists and lovers of life who came to share the experience and excitement of this unique festival.
It was a privilege to be included in the programme and an honour to be asked to run a workshop on the art of haiku. Opportunities such as this continue to raise the profile of haiku in our country and I was thrilled with the energy the small but committed group of workshop participants generated.
I look forward to keeping in contact with all of the participants and sharing their haiku journey.