Ginko/Haiku Gathering to celebrate International Haiku Poetry Day, 17th April 2019
First Edition café at the State Library of Western Australia in the heart of Perth CBD.
Nine poets had gathered around a long table in the midst of the hubbub. They had travelled from all over the city to mark and celebrate International Haiku Poetry Day for 2019 at Paperbark Haiku’s invitation. It was the largest turn out of Paperbark Haiku WA (formerly Mari Warabiny) membership in recent memory for a ginko. The other attendees besides Maureen Sexton were Rose Van Son, Liz Nicholls, Mimma Harrison, Gary de Piazzi, Coral Carter, Melissa Moffat, Tricia Cole, and Samar Ghose.
The morning had dawned crisp and clear with just enough of an autumn chill in the air to pull on a light jumper—or not. The Perth Cultural precinct with the Art Gallery, Museum, State Theatre Centre and Perth Institute of Contemporary Arts next to the library was abuzz with loitering lots of local and international visitors, clutches of students from the nearby TAFE college, school children on an outing, city office workers between destinations, artists setting up with bits & pieces of their craft, young people in twos and threes and families pushing prams chasing little kids; all strolling about the sandstone walkways, verdant gardens, art & sculpture displays, pop up food stalls, soaking up the warm autumn sunshine back-dropped by a middle aged Diva’s aria floating in the air. Not far from her a 10-12 year boy was playing the ukulele. Huddled around a guitar on the steps of the Native Wetlands, a Christian choral group was deep in practice.
Inside the First Edition café, greetings exchanged, introductions made, coffees ordered, the seven women and two men pulled up their chairs and got down to the business at hand: haiku. Maureen opened the session with a brief talk about the International Haiku Poetry Day and then handed out copies of The Truth about Haiku by Myron Lysenko. There was discussion about the guidelines of writing haiku and whether haiku written in English was really haiku, or whether it should be called something else. The question was also asked “Is it cultural misappropriation?” It was generally agreed that English language haiku is haiku, so long as it follows the general essence of what haiku is and contains the basic elements of haiku.
Next, a few haiku and their accompanying commentary from Patricia Donegan’s excellent book Haiku Mind, were chosen and read out in appreciation of the singular moments in our busy lives that can allow us to discover the meditative simplicity of the here and now, “a profound way of seeing our everyday world. . . living our lives with the awareness of the moment expressed in haiku”.
after the riot –
such a perfect
first cricket –
in my right wrist
evening light –
a loaf of bread
on the cutting board
The group then dispersed outdoors for a short ginko to observe, note and even compose haiku, inspired by the natural and the created surrounds of the precinct. Many haiku were written, observations made and some of these were workshopped by the group as they were read out by each poet.
It was a wonderful few hours of creativity and bonhomie between like-minded people enjoying each other’s company and the celebration & cultivation of that unique of all poetry forms – haiku.