a guard’s boot
crushes the wildflower
a guard’s boot
crushes the wildflower
As part of the Melbourne Spoken Word Festival, Myron Lysenko will be leading a haiku workshop on Sunday 14th July.
Myron has been teaching contemporary haiku since the end of the twentieth century. He will show examples of haiku and will teach you how to compose haiku and how to use specific techniques to achieve this. If you are in Melbourne this weekend take the opportunity to learn more about the art and craft of contemporary haiku.
You can find more details and book for the workshop here
Myron is the Victorian regional representative for Australian Haiku Society. His haiku collection a rosebush grabs my sleeve was published by Flat Chat Press in 2005. He won an international haiku prize in Japan in 2004 – the Suruga Baika Literary Award for Haiku. His haiku have been published in many overseas and Australian haiku journals. Myron was part of RookuTroupe – a trio of haiku poets instrumental in having haiku published on Melbourne’s suburban trains in 2006. Myron conducts ginko in scenic surroundings in Victoria.
Date: 14th July, 2019
Time: 1.00 pm – 4.00 pm
Place: Siteworks: Workroom
533 Saxon Street, Brunswick, VIC
Bombora Haiku Group met in the Japanese gardens at Mt Coot-tha Botanical Gardens for their May meeting. What a treat! We all enjoyed ourselves tremendously and stayed afterwards for lunch at the Summit Restaurant. We immersed ourselves in the beauty of the Japanese gardens where everything was bright green. Misty light showers added to the atmosphere. We briefly inspected little waterfalls set amongst rocks and ferns and clipped shrubs as neat as round bald heads. Lastly, before retiring to eat, we viewed marvellous old bonsai, some of which were started back in the fifties. Continue reading “Bombora Haiku Meetings”
Number Eight Wire is the long-awaited Fourth New Zealand Haiku Anthology. The last anthology, the excellent The Taste of Nashi, was published a decade ago. The title Number Eight Wire is a reference from a haiku by Karen Peterson Butterworth to the New Zealand trait of innovation and resourcefulness – to be able to mend anything with number eight wire. It’s a fitting title which holds together a strong selection of 330 haiku from 70 poets which are, as the editors state in the introduction, ‘100% pure Aotearoa’, yet also universal. Continue reading “Number Eight Wire – Review by Vanessa Proctor”
the passionfruit vine
holds it together
Judith E. P. Johnson
Winter Solstice Haiga Kukai
The Australian Haiku Society Winter Solstice Haiga Kukai for 2019 has come to a close and we sincerely thank all those who took part. A special thank you to Ron Moss who has once again generously given us the benefit of his creative talents in providing us with two images for the Kukai. He is now immersed in the selection process. You can revisit all entries for both the seasonal and non-seasonal categories by clicking on these links.
Continue reading “Members’ News June 2019”
The Paperbark Haiku group met on the 26th June 2019 at the Dome Café (meeting room) in Maylands, Perth Western Australia for its Winter Ginko on a blustery day, the harbinger of approaching storms.
The early part of the meeting revolved around a discussion that debated the “Essence of Haiku”. Using a number of publications, including Blithe Spirit, Frogpond, the British Haiku Society Anthology Wild, Third Australian Haiku Anthology, Spinifex by Beverley George and Walking The Tideline by Lyn Reeves, each participant chose a published haiku that resonated with them, and it was used to illustrate the differing ways haiku affect us, with emphasis on the spirit each invoked, and to get us all into ‘haiku mode’.
Continue reading “Paperbark Haiku Winter Ginko and Haiku Gathering”