Masaoka Tsunenori — the Haiku Master Shiki

by Janice M Bostok

A pure black
butterfly frisks keri
Cloud Mountains

Shiki was born on 14th October 1867, in Matsuyama, Japan. His gô, or pen name Shiki, which means a small cuckoo-like bird, came about after he spat blood for a week in May 1889. It is said the bird, in order to attain the fine tone in its voice must keep singing until it spits blood. For most of his adult life Shiki suffered from tuberculosis. He died on the 19th September 1902. His father was a Samurai and his maternal grandfather a Confucian scholar. He began writing Chinese verse at the age of eleven. His earliest existing tanka was written at the age of fifteen. He began studying at university but left without graduating. For a time he was a war correspondent in China. Shiki is considered to be the last of the traditional haiku masters and the first of the modern ones. Although he advocated reform most of his poems are written in the traditional form. It is his method and content for which he is remembered.

Into the ashes

it fell and got smudged;
new calendar kana

He formed a group and had a number of disciples who followed him in his desire for reform. Some of those who came after him were the free metre poets, Kyoshi, Hekigodo, Ippikiro and Meisetsu. The free metre poets tended to lengthen haiku and dismiss the seventeen Japanese syllable count. Makoto Ueda says if we are to think of the three lined haiku as a triangle shape, the free metre form of the New Trend Haiku could be considered as a rectangle.

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Soft Upon My Shutters

Hattori Ransetsu 1654-1707

by Jane Baker
Basho is rightly famous but why does the western world know so little of his contemporaries? Deep in Basho’s “old silent pond” dwell all sorts of interesting other frogs – Kikaku’s that “command the dark”; Onitsura’s “froglets” that in summer “sang like birds” but with winter’s onset “bark like old dogs”; Joso’s “good Buddhist frog…/ rising to a clearer light / by non-attachment” as well as Issa’s “fat frog / in the seat of honour / singing bass”.

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Haiku Lessons

by Alison Williams

This article was first published in Yellow Moon 18, Summer 2005, pp. 30-31, and is reproduced here with the kind permission of the author.

Alchemy is sadly missing from the curriculum, and so it is possible that you may not be aware of something called prima materia. Prima materia is said to be the original pure substance out of which everything was created, and is so easily overlooked that only a master alchemist recognises it as the vital ingredient of the Philosopher’s Stone.

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Nobuyuki Kobayashi — ISSA

1763 — 1827

by Janice M Bostok

The spring moon
Shines Godlike
Upon a flower thief
At work on a hill. 1

Issa was born in Kashiwabara village, Japan, the first son of a farmer. His childhood name was Yatarô but he was registered with Nobuyuki as his first name and Kobayashi as his surname. Issa did not have a happy or fortuitous life. While he was still young (at the age of about three) his mother died. His grandmother took over raising him. Later she also died and his father remarried. His stepmother eventually forced Issa to leave home at the age of thirteen.

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Yosa Buson – BUSON 1716 – 1784

by Janice M Bostok

Perched upon the temple bell
the butterfly sleeps 1

Buson was originally named Taniguchi Buson (pronounced boo-sahn). He later changed his name to Yosa Buson. It appears he had more than one pen-name or ‘go’ throughout his lifetime. (Particularly as there are various seals that he used on his paintings.)

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Matsuo Kinsaku — Bashõ 1644 – 1694

by Janice M Bostok

Most of you who have heard of the short Japanese poem haiku will no doubt have heard of the haiku master Matsuo Bashõ. He is considered the first of the four Japanese masters who are the pillars of the development of the haiku poem. In the west, we are probably first introduced to him in translation and many of us say we fell in love with haiku because of Bashõ’s work. Of course, there has been much more development of the haiku over the years in Japan, but this is the starting point where we are introduced to haiku and become serious about wanting to write it in English.

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Haiku – 5-7-5? An article by Vanessa Proctor

When many people hear the word ‘haiku’, their immediate response is, ‘That’s a Japanese poem written in seventeen syllables – 5-7-5’. While it’s true that traditional Japanese haiku is written in this form, haiku in English, because of the very nature of the English language, doesn’t conform to the 5-7-5 pattern.

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Haiku and Visual Art: A Winter Ginko

Martina Taeker, RR for SA, recently conducted a ginko in the Art Gallery of SA and based on her experiences offers some thoughts on how a winter ginko might be conducted indoors.

Are you and your haiku feeling a little tired, cold, or stale? Have you thought about taking a ginko, but put it off because it’s winter and you’re still coughing from the last flu you caught?
Try taking a ginko indoors, at your local art gallery.
Don’t know anything about art? It doesn’t matter. After all you are not intending to write a thesis. You want to enjoy some art, be inspired and invigorated by it, and use this experience to create art by writing haiku.
Artists have been inspiring each other for centuries. It is useful for artists to be exposed to the work of others. You can see what subjects they choose and how different artists tackle a particular subject in different ways.
Remember to observe the people around you in the gallery, but discreetly. People respond to the same piece of art in individual ways and that too is grist for the artistic mill of your pen.
If this is your first visit to a gallery, begin by wandering slowly through it. Notice which art works catches your eye, but don’t stop. Get an overview before focusing in on one area. You might even find that this is more than enough material for one day. In which case you can return for another ginko in a few weeks.

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