Windfall: Australian Haiku is a small annual print publication with fine examples of contemporary Australian haiku.
As advised by manager, Peter Macrow when mailing Issue 9, 2021 to subscribers, issue 10 will be the final issue.
Submissions to Windfall: Australian Haiku issue 10, were received during July 2021. All acceptances and non-acceptances were advised by the end of August 2021.
Windfall: Australian Haiku is a small annual print publication with fine examples of contemporary Australian haiku. As advised by manager, Peter Macrow when mailing Issue 9, 2021 to subscribers, issue 10 will be the final issue
Submissions to Windfall: Australian Haiku issue 10, the final issue, are welcome during July 2021.
Continue reading “Windfall: Australian Haiku – Submission Reminder”
Review by Simon Hanson
How fortunate we are to have a journal like Windfall: Australian Haiku, showcasing as it does, the best of Australian haiku— bringing together familiar and new voices (and the new voices are exciting). This issue, like those before it celebrates many and varied aspects of Australian life in its country, coastal, urban and domestic settings accompanied by a host of perceptive observations around season, landform, flora and fauna and the lives of people.
we slow our stroll
to another time
outback town
Glenys Ferguson
perching magpie
the blackened stump
seamed with ash
Gavin Austin
Continue reading “Windfall: Australian Haiku Issue 9, 2021 – Review”
At our winter meeting the seven members who attended were joined by two welcome guests, Carol Reynolds and Margaret Mahony. Another member, Samantha Hyde, although unable to be present, sent a completed worksheet well ahead of time and we were glad to include her valued poetry in our workshopping session.
As always we met at 10 a.m. for coffee and informal chat before heading off at precisely 10:30 on our ginko. The weather was cold but fine and the garden so delightful to view from the many aspects its winding pathway affords. A large Japanese maple stirring in the breeze drew the attention of every poet.
March 13th 2021
On our arrival for catch-up and coffee we were slightly daunted by a brief downpour. This obligingly ceased precisely at our regular ginko set-off time of 10:30. The glossy leaves of cloud-shaped bushes, neatly trimmed, glistened with small raindrops; and white crocuses lined one edge of the pathway. Jotting and silence prevailed, apart from waterfall tumble and the voice of a very young child telling her mother how much she loved the word ‘igneous’, her favourite type of rock.
Four members of the group were able to meet up at Gosford/ Edogawa Gardens on December 12th: Maire Glacken, Verna Rieschild, Colleen Keating and Beverley George. Armed with excellent completed work sheets sent ahead to us by Marilyn Humbert and Kent Robinson, we settled on the paved deck outside the café for a preliminary coffee, and passed these two sheets around reading the responses to the prompts aloud. We were inspired by them – a valuable and enjoyable start to our meeting.
September 2020
The spring meeting for the White Pebbles Haiku Group extended a little longer than is usual. The 12th of September flowed on to embrace the 12th – 21st of September, and that is so far!
All nine members commented on how much they enjoyed reading each others’ work.
Seven optional prompts were circulated to members well in advance of the scheduled email meeting date with the only firm request being that the seventh of these involving a painting, sketch or photograph were included. One of our members, who was travelling, wrote all of her verses in real time as she moved through diverse countryside locations — a haiku journey we all greatly enjoyed learning about. Carefully considered comments on all the submitted haiku were shared over the following days.
Positive and mutually supportive, as always, our members made sure our spring meeting was satisfying and very worthwhile.
And who knows? Perhaps our December meeting will again be held in the Gosford/Edogawa Gardens.
Beverley George
Convenor
