Autumn Equinox 2026 Selections

The autumn equinox – when day and night are of equal length – has been an important marker of seasonal change throughout human cultures. With the observance of seasons a significant aspect of haiku practice, the Australian Haiku Society chooses to mark the solstices and equinoxes each year. This Southern hemisphere autumn, as leaves of exotic trees begin to change colour and many of our native plants come into flower, we invite you to enjoy a selection of favourite poems submitted to Haiku Strings in previous autumns. You can find PDF booklets of all the Haiku Strings we have held to date on our Resources page .

footy siren
picking the last
ripe tomato
Louise Hopewell, 2023

morning moonset
the black swan’s bill
blood red
Cathryn Daley, 2023

disagreement
morning walk together
alone
Carol Reynolds, 2020

dancing breeze
a hoop pine seed
glides in to land
Quendryth Young, 2023

outdoor café
more dogs in trendy coats
than people
Kathryn Woolfe, 2019

park bench
a two o’clock shadow
holds my hand
Barbara Tate, 2019

Opera House
an autumn breeze
fills the sails
Gavin Austin, 2019

flooded street
a man rescues
a teddybear
Kathleen Earsman, 2019

fire glow
the baby’s breath
on my cheek
Margaret Mahony, 2021

schoolchildren’s protest
their hearts displayed
on recycled cardboard
Marietta McGregor, 2019

chilly breeze
a spider’s thread shifts
the moonlight
Lyn Arden, 2023

rain clouds
blackening the sky
Carnaby’s cockatoos
Maureen Sexton, 2023

last song . . .
the busker turns
to his dog
Madhuri Pillai, 2020

slow steps
a curving path
walking to her grave
Maurice Neville, 2021

dogs long gone—
all their feeding bowls
overflow with rain
Ron C. Moss, 2020

A reminder that submissions close at the end of April for Issue 13 of Echidna Tracks Australian Haiku

Submissions for Issue 13 of Echidna Tracks are open until the end of April. Please send us your best haiku. This collection is important because we aim at our regional group of haiku writers and present haiku that reflect our identity. Although we publish haiku with our distinctive flora and fauna, it is not about Australian animals. It is about our experience of living in Australia and our experience of life from our point of view. Australia is a vibrant, cosmopolitan and multicultural nation, and we strive to reflect that.

Please make submissions via our website. Submissions

Echidna Tracks Submissions

Echidna Tracks will be accepting submissions for Issue 5: Open Theme throughout the month of April. The editors invite your previously unpublished haiku and senryu on any topic that stirs your imagination and that is likely to stir the imaginations of our readers.

Please read the guidelines carefully.

Submissions may be made via the form that will appear on the Submissions page throughout the month of April 2020.

Lynette Arden
Lyn Reeves
Simon Hanson

Echidna Tracks Submissions

A reminder that submissions for Echidna Tracks issue 4: Recreation & Leisure remain open throughout the month of October.

From the beach to the bush, from playing fields to ski slopes, from public parks to domestic spaces, Australia offers a wealth of opportunities and places to enjoy our leisure time.

We invite your previously unpublished haiku and senryu about recreation, relaxation, holidays, sport, hobbies and pastimes. The editors look forward to your contributions.

Tassie Dune dweller

 

Echidna Tracks Submission Reminder

Submissions to Issue 2 of Echidna Tracks on the theme of Landscapes remain open for the duration of October.

For this issue we invite (original, previously unpublished) haiku that respond to aspects of the rich and various landscapes of the Australian continent — from its coastal environments to its desert interior, its many kinds of forests, wetlands, rivers, bushland and landforms. We look forward to receiving haiku that share your moments of heightened awareness and deep connection with these natural places.

Please follow the guidelines on the submissions page.

Echidna Tracks Submissions

A reminder that Echidna Tracks will be accepting submissions for its second issue throughout October.

The theme for Issue 2 will be Landscapes

For this issue we invite (original, previously unpublished) haiku that respond to aspects of the rich and various landscapes of the Australian continent — from its coastal environments to its desert interior, its many kinds of forests, wetlands, rivers, bushland and landforms. We look forward to receiving haiku that share your moments of heightened awareness and deep connection with these natural places.

Haiku submissions for Echidna Tracks Issue 2 may be made via the form that will appear on the Submissions page throughout the month of October.

Please follow the guidelines on the submissions page. We look forward to reading your work.

Lynette Arden, Lyn Reeves & Simon Hanson