For our final meeting of the year, the Fringe Myrtles were treated to an illuminating presentation on tanka, the classical Japanese poetic form that has endured for over a millennium. Our presenter, Rodney Williams, is the contributing editor at Catchment – Poetry of Place, part of the Baw Baw Arts Alliance in Kurnai country, Gippsland, Victoria.
On Wednesday 15th October, Carol Reynolds and Margaret Mahony from Illawong Haiku Group participated in a Meet and Greet event at the Clive James Library at Kogarah. The event was initiated by Vickey Foggin, Team Leader Library Programs at Georges River Council to highlight Rivers Writers, a liaison of writing groups operating within the Georges River region.
A rainforest Remnant, at Dalwood, in the hinterland of the far north coast of New South Wales is one of the Cloudcatchers’ favourite venues. Six of us gathered there on Thursday 9th October for our Spring experience, and once again walked the boardwalk through this untouched captured remnant of the past, where the Bunjalung people lived so long ago.
Submissions close at the end of October for Echidna Tracks.
We invite your best previously unpublished haiku/senryu on any topic that stirs your imagination. We hope to publish a vibrant collection of haiku and senryu.
Eight poets joined the spring ginko on 8th October 2025 in Kings Park, on a lovely sunny although chilly day. At the height of spring the park was laden with flowers. Armed with a description of the two indigenous spring seasons, and the relevance of the colour yellow, we learned we are experiencing the Noongar season of kambarang.
On Saturday 13th September, White Pebbles members Beverley George (convenor), Colleen Keating, Kent Robinson, Pip Griffin and Marilyn Humbert gathered for the Spring meeting at the beautiful Gosford/Edogawa Gardens on the Central Coast, NSW.
Simon Hanson and Jennifer Sutherland will be the haiku editors for Echidna Tracks Australian Haiku Issue 16.
We invite your best and previously unpublished haiku/senryu on any topic that stirs your imagination.
Australia, in the twenty-first century, is a vibrant multicultural society. We hope to celebrate, through the haiku/senryu collected on this website, the diversity of lifestyles, values, characters, customs, cultures, and historical experiences of the people inhabiting Australia, as well as the diversity of our landscapes, flora, and fauna. Please explore our categories for inspiration. If you choose a seasonal reference, it should be compatible with the publication’s Summer or Autumn timeframe.
This is primarily a website for the collection of the best work of Australian haiku poets. We also accept haiku from those who have visited Australia and wish to share their experiences.