Welcome to the August Members’ News, our fourth issue for 2026, which touches on the Japanese concept of Ma, discusses recent and upcoming activities, and reports on our successful mentorship trial.
The sky so blue, and not a breath of wind. In fact, some members commented that spring had arrived with the flowering of everlastings featured in street plantings. The forecast temperature was 25 degrees!
Eight excited haiku lovers – including two new attendees – enjoyed the Café’s coffee welcome and discussion of what constitutes haiku. And so, it was a recap session for haiku guidelines. To get in the Haiku Mind, we read a variety of haiku from various Australian collections, discussed their meanings and associations, and the importance of immersion, mindfulness, and brevity for writing. The consensus was that readers of haiku bring their own associative responses to a haiku. And writers, too, write from an association, often a memory, of what a scene, a sound, means to them, and where it may take them. The group also discussed the use of simple language in haiku.
There was so much to enjoy at Perth City Farm, a half-hectare garden site close to the city and transport. It was our second visit, having visited during the autumn ginko. It is a ‘working’ farm with herbs and vegetables, chickens, flowers—so much to stimulate the senses. Its website states it ‘enables connected, sustainable lives in harmony with nature.’ A perfect, relaxing venue for our winter ginko, and for visiting, walking and writing anytime!
cloudy skies brilliant sunsets gifts of winter
Aileen Hawkes
vegetable patch sweet peas this side of the train line
Rose van Son
‘children playing’ yet the concrete floor is cold and bare
Our numbers are slowly growing and we achieved our third meeting on Saturday morning, at the Brisbane Square Library.
With six people, a range of experienced haijin and relative newcomers, we looked at the function of kireji, samples of published work from various online journals and our own recent haiku. The meeting room is regularly cooled to uncomfortable levels, and this day was no exception so the extra layers we’d all brought proved very useful.
Our next meeting is August 8th, 10.30 am. There’s still room for more, so anyone interested is welcome. Just let me know on duncrich@outlook.com if you’re coming, so we can organize enough copies of haiku for everyone,
The contest is named for Francine Porad, founder of Haiku Northwest, former president of the Haiku Society of America, and editor of Brussels Sprout.
Adjudicating the 2026 award will be Antoinette Cheung, former co-editor of Prune Juice and the journal Confluence. Her work has appeared in journals and anthologies including New Resonance 14 and The Red Moon Anthology of English-Language Haiku, and in 2023 she was shortlisted for The Haiku Foundation’s Touchstone Award. She has also received honours including Haiku Canada’s Betty Drevniok Award, the Basho-an Award, and top recognition in the Vancouver Cherry Blossom Festival haiku competition.
The entry fee is $5 for up to five haiku, and the deadline is August 30th. See the Haiku Northwest 2026 Porad Award site for more details. We look forward to your submissions.
Luke Brannon 2026 Porad Award Coordinator Haiku Northwest
Didier Lejeune (Gold Coast) is beginning a new literary and art magazine and is currently looking for artists and haiku poets to populate the first issue.
Last year I developed a strong appreciation for Haiku while living in a cottage in the alps, having an entire shelf full of zen poetry and haiku to occupy my time. The artform has come to mean a lot to me, and it is important that I give it ample space in the magazine. The publication is print-only, black and white, with a focus on beauty—however this concept manifests in the mind of the artist. I am looking for poets to contribute to this first issue, and all that will follow.
Our website is: manna magazine Each issue will publish a handful of Haiku from one, or several, artists. Each poet is encouraged to submit 6-15 haiku.
I look forward to hearing from you, Didier Lejeune
A new exhibition in Griffith Regional Theatre’s Artspace explores creativity as it moves between mediums and around the world. Some of you will remember Stay Cool’s series of workshops on haiku in January/February this year, featuring Jason Richardson, Lisa Germany, Marco Sebastiano Alessi, Greg Pritchard and Sherry and Zoe Grant. The Stay Cool project has evolved from writing workshops into contemporary music composition and is illustrated with stellar photography.
Catchment 6 is now online. Work from over 80 contributors, including more than 40 poets who have had tanka selected, either as stand-alone pieces or as tanka strings. Also, a discussion of the work of Kala Ramesh.
The Illawong Haiku Group began as an aspiration 9 years ago to establish a haiku group in the southern area of Sydney. I have been Group Convenor since the beginning until now. We had an open door policy and some people came and went while others stayed. I am grateful to those who stayed. Since our last meeting I expressed my wish to relinquish my position due to changing circumstances. Following further consultation with members it was decided to disband and continue to enjoy our mutual love of haiku in a different way.