With submissions to the John Bird Haiku Dreaming Award opening in the first week of November, it is a good moment to remember the poet whose name it carries.
Continue reading “Remembering John Bird: the poet behind the Haiku Dreaming Award”
With submissions to the John Bird Haiku Dreaming Award opening in the first week of November, it is a good moment to remember the poet whose name it carries.
Continue reading “Remembering John Bird: the poet behind the Haiku Dreaming Award”
among jacaranda petals
two condoms
— spring again
Katherine Samuelowicz
the postman speeds
past my house
st valentine’s day
Myron Lysenko

A History of Haiku in Australia, written by Beverley George and Lyn Reeeves. The file is available for download in PDF here.
A HISTORY OF HAIKU IN AUST -June16 2016
History of Haiku in Australia: Collected Work by Australian Poets
This history was first displayed on The Haiku Foundation which also contains histories and samples of other countries’ haiku: The Haiku Foundation: World of Haiku
Rob Scott’s Masters thesis, “The History of Australian Haiku and the Emergence of a Local Accent” has been archived (in full) on The Haiku Foundation website, after being spotlighted there – in Garry Eaton’s ‘Librarian’s Cache’ feature – earlier in this month of April: it can viewed through this link –
An extract from this work – under the title “Australian Haiku in the Global Context” – had been published as a feature in “A Hundred Gourds” 4:1 December 2014:
http://ahundredgourds.com/ahg41/index_feature.html
As the Managing Editor for “A Hundred Gourds” – Lorin Ford – notes, “It’s an important piece, quoting many haiku by Australians.”
The Australian Haiku Society (HaikuOz) is web-based and made up of many components. Its leadership comprises a patron, president, secretary, web manager and a small committee. Most input to the site comes from the leaders of the various small Australian haiku groups and from outside sources who send news of publication and competition opportunities.
Haiku groups
As in Japan, small groups are at the heart and soul of Australian haiku writing. These are poems of observation, so it is fitting the groups are regionally based, allowing members to share urban or rural landscape.
These groups include Cloudcatchers (Northern NSW, led by Quendryth Young); Bindii Haiku Group (Adelaide, led by Lynette Arden); Mari Warabiny (Perth, led by Maureeen Sexton) Red Dragonflies (Sydney, led by Vanessa Proctor); Watersmeet (Hobart, led by Lyn Reeves) and Ozku (Sydney, led by Dawn Bruce.) The ‘paper wasp’ group (Brisbane led by Katherine Samuelowicz) is currently not meeting regularly but it is hoped that this will resume soon. It is not unusual for groups to go a little quiet and then reinvent themselves.
In Melbourne, Myron Lysenko conducts haiku walks ‘Ginko with Lysenko’ four times a year.