In 2007, Jeff Harpeng released a collection of haibun: Quarter Past Sometime, published by Post Pressed.
Re: the opening piece in Quarter Past Sometime, Jeffrey Woodward (Haibun Today), said, “Birdlings Flats” by Jeff Harpeng probably illustrates the expressionist method at its best. From the opening sentence, the reader discovers himself in the presence of a poet who is master of the rhythms of his language and of the possibilities of his material…
Jeff was a featured reader with Janice Bostok at the second Words and Water Dragons haiku outreach event of the 2007 Queensland Poetry Festival and read from Quarter Past Sometime as a Post Pressed reader at the Maleny Writers Festival.
Continue reading “Members News – Jeff Harpeng”
Ron Moss, a former Secretary of Haiku Oz and Regional Rep for Tasmania, has a stunning new portfolio of haiga for viewing at http://www.haigaonline.com/issue8-2/contemporary.html
The haiku and paintings are inspired by his voluntary work as a fiery. Congratulations, Ron.
Most members of HaikuOz would know Janice Bostok for her work in haiku, tanka, and other Japanese forms. Her latest book release has been called ‘an extended haibun’ by its publisher. It is the story in verse and prose of her feelings and time spent raising a profoundly handicapped son.
Sponsored by the Haiku Poets of Central Maryland
Judge: Billie Wilson, Juneau, Alaska
the bones of the bonfire
~Kate Bosek-Sill, Rochester, NY
A new day is dawning, and the remains of this fire remind us that yesterday is gone forever—as fully consumed as the wood (the “bones”) of that bonfire. There is a nice edge of wondering why the fire was built. The use of “bones” is not only intriguing within the haiku, but within the context of etymology, since “bonfire” comes from the medieval “bone-fire.” This is an excellent poem to be read aloud. The inner play of the long “o” sound of “bones” with the short “o” in “bonfire—the near-rhyme of “dawn” and bonfire”—and the alliteration of “b” words in the second and third lines—add layers of pleasing sound.
the weight of rust
on the snowline
~Ron Moss, Tasmania, Australia
An unusual topic. The freshness of the material is appealing, and the juxtaposition is compelling. Even in abandonment, the very existence of this station “weighs” heavily against human history. The damage done is powerfully captured in understatement: that feather-light rust is like blood against the snow.
Continue reading “RESULTS FROM 2007 ANITA SADLER WEISS MEMORIAL HAIKU AWARDS”
And the congratulations keep coming… Haiku Oz would like to congratulate Peter Macrow for his recent success in the Rain Haiku competition.
for spring rain to stop
I clean the shower
has been selected to be published in a forthcoming anthology of the winning entries.
Haiku Oz would also like to announce the success of another Australian haiku poet, Ynes Sanz. Ynes is also one of the eight poets selected to have their haiku published on a haiku umbrella as part of the rain Haiku competition.
under the thunderhead
throwing a last stick
to the dogs
Australian haiku poet, Lynette Arden, has recently had one of her haiku selected to appear on a haiku umbrella as part of the Rain Haiku competition. Lynette’s haiku is one of only eight selected from the one thousand haiku received.
Her selected haiku:
city lunch in rain
neon lights flick colours
across the menu
HaikuOz congratulates Lynette on this fine achievement.
Australian haiku poet, John Bird, is a joint-winner of the British Haiku Society James W Hackett award for the following haiku.
a village stray settles
at the busker’s feet
James W Hackett comments: “A picturesque, unique scene, well suggested. The stray lying down at the feet of the entertainer is a poignant, ‘Wordsworthian’ moment.”
HaikuOz congratulates John on this fine achievement.