midday . . .
the farmer’s radio plays
to pumpkin vines
Leanne Mumford

28 January 2017 Haiku Workshop by Julia Wakefield
The workshop, held at the Box Factory Community Centre in Adelaide, from 1 – 3 pm, was attended by ten people, of whom eight had not attended a Bindii workshop previously.
Julia started off by discussing what made a good haiku and distributed examples and some guidelines for attendees to read. There was some discussion about the examples and what each haiku meant to the various participants.
Julia then moved to a brief overview of the guidelines for writing haiku. There was some discussion as to what certain guidelines meant, for example the 5/7/5 rule, which has been discarded outside Japan, and the options for writing in three lines or other variants. The various formats were examined to see if a haiku written in one style, such as one line, would be just as effective if transferred to three lines. The use of the phrase/fragment composition technique was discussed in some detail, with examples. Continue reading “Haiku Workshop by Julia Wakefield”
Julia Wakefield Houghton is running an open workshop at the Box Factory in Adelaide, where you can learn the basics of writing haiku, or refine your skills. Bookings are required, as numbers are restricted. There is a small payment and afternoon tea will be provided. Full details in the PDF file
julia-wakefield-workshop Continue reading “Haiku Workshop for Beginners: 28 January 2017”
In the final week of December, Australian haiku poet Beverley George was honoured by having her haiku chapbook The Birds That Stay featured in the Book of the Week archive on The Haiku Foundation website:
http://www.thehaikufoundation.org/2016/12/26/book-of-the-week-the-birds-that-stay/
The chapbook’s title poem was one of Beverley’s haiku to be highlighted:
first frost
the birds that stay
the birds that go
Continue reading “Beverley George chapbook – THF Book of the Week”