“Prospect” is an annual poetry journal, with longer poems written by Australians and published in Australia by Blue Giraffe Press, owned and managed by Peter Macrow. “Prospect Five” is devoted to haiku and tanka, with Beverley George as guest editor. Beverley was president of Haiku Oz, the Australian Haiku Society. She edits and publishes “Eucalypt,” a tanka publication, conducts workshops, and writes essays and children’s books. Her tanka and haiku have earned awards, and some have been translated into Japanese. The cover image and design are by Ron C. Moss, and Rebus Press had charge of layout.
The journal as a whole is unmistakably and delightfully Australian. While some of the vocabulary is special to that country, the themes and emotions are universal. With a few exceptions, I was able to understand and appreciate the poems without resorting to a dictionary, though I did look up some words for their precise meaning and enjoyed this verbal visit to a country and continent so far away.
Haiku, usually three-line poems, are here arranged four to a page, while tanka, which have five lines, are three to a page. They are divided, ten pages of haiku, twelve of tanka, and twelve haiku, with the final two pages given to Blue Giraffe Press 2nd Australian Haiku Competition’s three winners and three commended haiku
Continue reading “Review of “Prospect Five” – Dorothy McLaughlin”
The following review has been written by Patricia Prime (NZ), editor of “Kokako”:
“Haiku Bindii: Willow Light. Journal of Bindii Japanese Genre Poetry Group 2015: Volume 2” has been edited by Lee Bentley, with layout and design by Lynette Arden.
Payment can be made via Paypal to email@example.com 1. $10AUD; 2. $15AUD; 3 $24 AUD; 4. $30 AUD. 5 or more copies, please contact Lee for details.
“Haiku Bindii: Willow Light” is the Bindii Japanese Genre Poetry Group’s second collection from Australian poets. Haiga inside front and back covers and throughout the book are by Belinda Broughton. The collection is composed of haiku, tanka, tanka prose and haibun.
Continue reading “Review of “Haiku Bindii: Willow Light””
On Friday, February 20th, Hobartians welcomed the long-awaited arrival of Ron C. Moss’s prize-winning haiku collection, “The Bone Carver” (Snapshot Press, 2014), at the Allport Library and Museum of Fine Arts.
In her launch speech, Beverley George – past president of the Australian Haiku Society – began by giving an overview of the nature of haiku and of its current practice, citing John Bird’s description of the form:
“A haiku is a brief poem, built on sensory images from the environment. It invokes an insight into our world and its peoples.”
Continue reading “Launch of “The Bone Carver” by Ron C. Moss”