Mark Miller has recently had a new collection of haiku and senryu, Light and Counterlight, published by Ginninderra Press. ‘In Light and Counterlight it is especially Mark Miller’s unique view, his long experience and solid craft of writing that make his work look effortless. His poems are aesthetic and effectively show that the small things, such as a breeze, the trickle of water or shimmering light, are actually the great ones that drive and preserve the circle of life.’ – Beate Conrad, Editor Chrysanthemum
With inspiration drawn from Australia and Vietnam, Long Shadows by Jane Gibian is currently being featured as Book of the Weekby The Haiku Foundation. In Island, Judith Beveridge wrote that, “Jane Gibian has a delicate and intuitive style…and her haiku brilliantly express the transient, fleeting nature of experience and perception.”
sidesaddle on the bicycle
one plastic shoe not quite . . . . . . . . . . . .slipping off
on the street of hairclips
buckets of pink crabs
boil in their shells
each rosebud wrapped
in damp twists of newspaper
You can download the book here as a PDF archived in THF Digital Library.
This book is a delight, square in shape and persimmon-coloured, it is beautifully produced with deep green flyleaf covers and plenty of space around the text giving the haiku the room it deserves. The artwork of persimmons on the front cover by Eiko Mori and Richard Steiner’s artwork on the back is appealing and gives the reader the impression that a great deal of thought has gone into this book’s creation. Continue reading “Persimmon”
Associate editor of The Heron’s Nest, Scott Mason, has released a new book entitled The Wonder Code: Discover the Way of Haiku and See the World with New Eyes. John Stevenson, the managing editor of The Heron’s Nest writes, “The Wonder Code is both a book about haiku and a book of haiku. It contains five linked essay chapters by Scott (plus an Introduction and Afterword) as well as five extensive ‘galleries’ of haiku poems, each related to the theme of its preceding chapter. Altogether the volume features more than 450 standout haiku, all of which first appeared in The Heron’s Nest in the last two decades. And for those who have come to appreciate Scott’s own work, the book includes a separate, generous selection of his haiku.” Continue reading “The Wonder Code by Scott Mason”
A new international anthology of haiku & senryu has just been released. Jumble Box, edited by Michael Dylan Welch and featuring the art of Ron C. Moss contains work from 100 poets. This anthology grew out of the many submissions to the National Haiku Writing Month (NaHaiWriMo) received in February 2017 including selections from seven Australians; Belinda Broughton, Samar Ghose, Jayashree Maniyil, Marietta McGregor, Rowena McGregor, Ron C. Moss and Rosemary Nissen-Wade.
In the introduction, Opening the Jumble Box, Michael Dylan Welch writes; “One of my favorite quotations about haiku is by R. H. Blyth: “Haiku is a hand beckoning, a door half-opened, a mirror wiped clean. It is a way of returning to nature, to our moon nature, our cherry blossom nature, our falling leaf nature, in short, to our Buddha nature.” This observation reminds us that haiku points to a source. . . The following poems emerged as some of the best from many thousands written for NaHaiWriMo in 2017. I shared a short list of about 400 selections with Tasmanian artist Ron C. Moss, who chose one poem for each day of the month. In response, he created twenty-eight original haiga—a painting for each poem he selected, with the poem added in calligraphy. He also created the cover art, and suggested the book’s title, from a poem by Greg Longenecker. Surely the many ways we write haiku are like a jumble box—and as with a box of chocolates, you never know what you’ll discover.”
For further information and ordering details click here.
A beautiful new guide to writing haiku is now available for free download from the Sydney School of Arts & Humanities.
Written by the Australian haiku writer Quendryth Young, A Haiku Workshop is a comprehensive collection of succinct guidelines to writing English-language haiku – backed up with examples from Quendryth’s own extensive and award-winning body of work.
Quendryth has agreed to share her guidelines in e-brochure form to “spread the message, spread the joy, spread the elation . . . of living with senses wide open to the environment, in order to capture significant moments of observation with concision and resonance”.