Five of us met at the State Library for a two-hour discussion and critique session. Members present were Julia Wakefield, Maeve Archibald, Dawn Colsey, Steve Wigg and Stella Damarjati. We had a apologies from, Marilyn Linn, Jill Gower, Lynette Arden and Athena Zaknic.
Our haiku theme was the one that Echidna Tracks is currently calling for (deadline in 3 days!), that is, previously unpublished haiku and senryu about recreation, relaxation, holidays, sport, hobbies and pastimes. Continue reading “Report of Bindii meeting October 26, 2019”
Five of us met at the State Library for a two-hour discussion and critique session. Members present were Julia Wakefield, Lynette Arden, Maeve Archibald. We had a apologies from Dawn Colsey, Marilyn Linn, Margaret Fensom, Jill Gower and Athena Zaknic.
We had two new potential members, Steve Wigg and Stella Damarjati. Steve drew our attention to the work of Richard Gilbert, who wrote ‘The Disjunctive Dragonfly’ http://research.gendaihaiku.com/dragonfly/DisjunctiveDragonfly.htm and the poetry of Eve Luckring http://www.eveluckring.com/publications2015.html
The theme was senryu, and attendees were asked to bring a definition of the senryu as well as a few examples. Continue reading “Report of August 24 Bindii meeting.”
Four members of Bindii (Julia Wakefield, Lynette Arden, Dawn Colsey and Athena Zaknic) met at the Box Factory in Regent St Adelaide at 12.30 pm to share, write and discuss haiku.
Apologies were received from Maeve Archibald, Sara Sims, Margaret Fensom and Michelle Slattery.
Julia Wakefield had selected haiku from two anthologies and asked members to select their favourites. Members spoke about haiku they particularly liked. Lynette Arden also spoke about several published haiku she had selected, which she thought demonstrated depth and resonance. Continue reading “Report on Bindii meeting of 1 June 2019”
Nine people attended the haiku workshop on 6 April in The Box Factory, Adelaide.
The workshop commenced at 12.30. To begin, Julia asked participants to select a card with a visual stimulus for writing a haiku. We were expected to work on composing a haiku through the afternoon for presentation at the end of the workshop.
Julia distributed a handout outlining the basic principles of haiku with traditional rules and technical requirements, followed by many haiku examples, both traditional and modern.
Julia started by telling us why she writes haiku and still finds it an exciting challenge, then spoke about the guidelines for haiku writing.
Participants each found a haiku from the worksheets to comment on and share with the group, then performed various exercises, such as completing the last line of a haiku when the first two were given and rearranging the structure of a given haiku example into one, two or three lines. There was much discussion about the merit of examples and what they meant to each participant.
The workshop continued after a short break for refreshments with a look at various view of haiku by such authors as Penny Harter and Martin Lucas.
To finish the session participants presented the haiku they had composed for the postcards. There was a good deal of discussion about these haiku and how they might be structurally improved.
Julia will organize a follow up email workshop for participants.
The workshop concluded at 2.45 pm.
Bindii Japanese Genre Poetry Group Presents
An introduction to Haiku
what are they
why we write them
Saturday 6 April, from 12.30 – 2.30 pm
59 Regent St,
The haiku is an ancient Japanese poetry form, but it is as relevant today as it has always been. Western poets have adopted and adapted the form to suit contemporary tastes, and the fact that the form continues to evolve in Japan is, paradoxically, entirely in keeping with tradition.
Bindii member Julia Wakefield will give a brief introduction to the combined complexity and simplicity of the haiku form. After a short break, there will be a series of group exercises that focus on composing haiku.
To book, contact Julia at Julia.firstname.lastname@example.org or call 0433975590
Word file: info for haiku workshop 2019 (003)
PDF file: info for haiku workshop 2019
Our first meeting for 2019 had two attendees: Lynette Arden and Maeve Archibald.
The activity chosen by Lynette proved very successful in stimulating ideas for writing haiku.
We took it in turn to choose a Haiku at random from the book haiku mind by Patricia Donegan.
Each haiku was written up on the board and we discussed it.
We read the commentary on the poem from the book and considered what it was that we got from the poem.
We then used the haiku as a spur for our own writing, taking whatever it had evoked as our guide.
This varied between themes, styles, subject matter, and or emotional impact.
We discussed and commentated on each other’s work. Each of us were able to produce 2-3 haiku poems that we found quite satisfying.
The chief value in this exercise was the variety of different haiku gave a variety of stimuli, perhaps providing a new field from which we could each draw.
The meeting started at 12.30 pm in our usual venue at The Box Factory, 59 Regent St South, Adelaide. We welcomed new member Meirwen Whewell, who brought an elegant, illustrated book of traditional Japanese haiku to the meeting. This was Meirwen’s first attempt at writing haiku.
Workshop: A few basic techniques for writing haiku (led by Lynette Arden)
The workshop started with a reading of some of Janice Bostok’s haiku from her online resource: http://members.dodo.com.au/janbos/haiku.html
We read the haiku one by one around the circle and then commented individually on the haiku, discussing their meaning and impact.
Four techniques from Jane Reichhold were discussed. Continue reading “Report on Bindii Japanese Genre Poetry Group Meeting: 6 October 2018”
Haiku Workshop: Haiku: Beyond the Basics
Lynette Arden presented some ideas to extend us beyond the usual guidelines provided for writing haiku in English.
wabi sabi –
- how it originated
- concepts used in haiku
Terms such as yugen and karumi (karumi as discussed by Susumu Tachiguchi (in World Haiku Review)
Martin Lucas in his essay Haiku as poetic spell: argues that haiku in the West has concentrated too much on content and must also look to the poetic element of haiku, as in the value of words and how they are used. Continue reading “Report on Bindii Japanese Genre Poetry Group meeting: 4 August 2018”