Stella, Lynette, Maureen and I met for our usual Zoom meeting. We received apologies from Steve, Kaarin and Maeve. Some of us had attempted haiku using the ideas promoted in Michael Dylan Welch’s Haiku on Steroids paper that was published online during the 2022 Haiku down Under online conference. After discussing the merits of radical experimentation, we tried writing a spontaneous haiku sequence, taking turns to write each line.
Continue reading “Bindii Meeting report for November 26 2022”Eucalypt: a tanka journal: e-News February 2023
The February 2023 Eucalypt: a tanka journal e-Newsletter is now online, announcing the Distinctive Scribble Awards for issue 33.
Continue reading “Eucalypt: a tanka journal: e-News February 2023”4th Australian Haiku Anthology Update
Due to the large number of submissions received for the 4AHA, and other unforeseen circumstances, the response time will be longer than we estimated. The editors thank you for your poems and your patience.
John Bird Dreaming Award Closes 1st March
Reminder: submissions for the 2nd running of the John Bird Dreaming Award for Haiku close on the 1st March 2023. For full details, including how to submit, please see the original post.
AHS Summer Equinox 2022 Haiga Kukai: Seasonal Results with Comments by Judge Ron C. Moss

1st Place
neap tide
the moon’s tug
on our blood
Marietta McGregor
There was an interesting mix of entries for the seasonal kukai. When reading through the poems, I’m always looking for those that resonate and have elements of shift and link, as well as those in which the two parts of the image and words merge into something stronger together. With Marietta’s haiku we are tantalised with a word that is not all that well known – neap tide – a period when moderate tides occur, usually seven days after a spring tide. The wonderful moon’s tug connects us with the universe and celestial bodies – the tug on our blood and the flow of tide all governed by the moon. Such a powerful poem resonates on many levels with the image and I’m thankful for the poet’s deep seeing.



