Launch of ‘River’s Edge’ by Owen Bullock

On December 5, Smith’s Alternative Bookshop was packed for the Canberra launch of Owen Bullock’s fourth poetry collection, River’s Edge (Recent Work Press, 2016). Bullock is a PhD Candidate at the University of Canberra and former editor of Kokako, the New Zealand based journal of haiku, tanka and related forms. He also holds a Canberra Critics’ Award (2015). That Beverley George travelled from the Central Coast of New South Wales to launch this book speaks volumes for its quality.
Continue reading “Launch of ‘River’s Edge’ by Owen Bullock”

A Metaphor and a Milestone

The upstairs room of The Children’s Bookshop at Beecroft was filled to capacity on Saturday 28 May with an appreciative audience attending back-to-back afternoon events celebrating collaborative poetry and the tanka form.

In the first event Vanessa Proctor, President of the Australian Haiku Society, launched A Shared Umbrella. This joint project by Beverley George and David Terelinck is a collection of ten tanka sequences and thirteen rengay written over several years of collaboration.

Vanessa elaborated on the title metaphor, illustrated so enchantingly on the book cover by South African artist Tumi K. Steyn.  The cover, in a pleasing shade of gold with autumnal notes, features a traditional Japanese umbrella, or wagasa. To quote Vanessa:

“To share such an umbrella with someone, you need to stand close in order to be able to share the space together, to walk in step.  That walking in step is an art which Beverley and David have mastered beautifully.” Continue reading “A Metaphor and a Milestone”

Book Launch

‘A Shared Umbrella: the responsive tanka & rengay of Beverley George & David Terelinck’ will be launched by Vanessa Proctor, President of the Australian Haiku Society, at The Children’s Bookshop, 6 Hannah Street, Beecroft NSW (opposite Beecroft Station)  on Saturday 28th May 2016 at 1 pm.

Following this, we will celebrate the launch by Michael Thorley of the 20th issue of ‘Eucalypt: A Tanka Journal’, Australia’s first publication for tanka only, edited by Beverley George. Poets whose work has appeared in ‘Eucalypt’ will be invited to read two of their own poems. RSVP editor@eucalypt.info or phone 0409 743 889

“Windfall 3’\ Launch in Hobart, February 20th 2015

The launch by Robyn Mathison of “Windfall” issue 3 took place at the Allport Library and Museum in Hobart, with the prior launch of a haiku book by Ron C Moss facilitating the use of this excellent location, and an interested and informed audience of about sixty people already in place.

Peter Macrow, founder and manager of “Windfall”, was present, as was I as editor. “Windfall” poets in attendance included Marilyn Humbert, visiting Tasmania from Sydney, Lyn Reeves, Robyn Mathison, Ron C Moss, Sarah Clarkson, Judith E P Johnson, and Lorraine Haig.

The launch was expertly conducted by respected Tasmanian poet, Robyn Mathison.

Robyn expressed her appreciation to Peter Macrow and his Blue Giraffe Press for “offering poets the chance to be published in this tiny but stylish collection of haiku,” and congratulated the fifty-three poets for moments shared in the sixty-three haiku included in “Windfall 3”.

An extract from Robyn Mathison’s launch speech follows:

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“I’d also like to thank the editor Beverley George and congratulate her on her selection and particularly for the sequencing of the haiku she has chosen. I have taken several leisurely strolls through the pages of “Windfall”, stopping to ponder awhile after each haiku and again after reading the three grouped on each page. In my readings I noticed and appreciated the connections between each trio. Sometimes it is colour that connects them; sometimes it is a season, or movement; or the activities of people, animals and other creatures.

On page three, for instance, it is reference to sound that links them, the completely imagined sound of water tumbling a stone in the middle one.

winter sunshine
an unseen guitar
in a minor key

John Bird

river stone
the current of years
in every shape

Dawn Bruce

wombat bones
dry hollyhocks rattle
by the roadside

Ron C. Moss

On page six, birds make the connection.

lowering sky
the breeze lifts a brolga
into flight

Kent Robinson

rain gauge
the bird bath full
after the storm

Rose van Son

galahs
against a dull sky
the pink parts

Quendryth Young

On page eight, moving and changing light links the images.

windswept rocks
the fisherman’s lantern
comes and goes

Cynthia Rowe

wind chopped light chopped winter bush

Kieran O’Connor

fading daylight
gathers more sky . . .
winter solstice

Jayashree Maniyil

And on page twenty-one, all three are about home.

google earth
I mostly look
at my house

Lynette Arden

he threatens
to sell again
the crunch of a snail’s shell

Bett Angel-Stawarz

holiday over
my backpack sags
on the floor

Duncan Richardson”

Robyn Mathison’s closing remarks included:

“Like one of those miraculous Japanese paper buds that only needs a glass of water to unfold slowly into a flower, this little book needs only quiet reading to expand into dozens of images for the mind’s eye or the mind’s ear and to provide hours of contemplation.

“Windfall 3” is an excellent chance for you to get an inexpensive but very rich collection. I have much pleasure in launching it into the world – and I’d like to invite those contributors who are here this evening to read their haiku from “Windfall”.”

Robyn Mathison

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Although unable to attend the event in person, Australian Haiku Society secretary, Rodney Williams, lent his support to the occasion by producing a tanga; a photograph of a fruit tree with a tanka imposed on it, and gifting copies of this to Peter Macrow, Robyn Mathison, Beverley George and Ron Moss.

with this breeze
such sweet nectarines
as windfall
she gathers together
all those precious poems

Rodney Williams
Beverley George, Editor, “Windfall”

Continue reading ““Windfall 3’\ Launch in Hobart, February 20th 2015”

Launch of “The Bone Carver” by Ron C. Moss

On Friday, February 20th, Hobartians welcomed the long-awaited arrival of Ron C. Moss’s prize-winning haiku collection, “The Bone Carver” (Snapshot Press, 2014), at the Allport Library and Museum of Fine Arts.

http://www.snapshotpress.co.uk/books/the_bone_carver.htm

In her launch speech, Beverley George – past president of the Australian Haiku Society – began by giving an overview of the nature of haiku and of its current practice, citing John Bird’s description of the form:

“A haiku is a brief poem, built on sensory images from the environment. It invokes an insight into our world and its peoples.”

Continue reading “Launch of “The Bone Carver” by Ron C. Moss”

Launching Ron C. Moss’ The Bone Carver & Windfall 3

Ron C. Moss’ collection of prize-winning haiku The Bone Carver will be launched by Beverley George (former President of the Australian Haiku Society) on Friday, February 20.

To commence at 5.30 p.m., the launch will take place at Allport Library and Museum of Fine Arts (Ground Floor, 91 Murray Street, Hobart).

RSVP to Ron C. Moss, ronmoss8@gmail.com

Signed copies of The Bone Carver are available by mail by contacting this address.

Following the launch of Ron’s book, Robyn Mathison will also launch Windfall: Australian Haiku, Issue 3, edited by Beverley George and published by Peter Macrow through Blue Giraffe Press.

Supporters of Australian haiku in a position to do so are strongly encouraged to attend